Fake Bake Self-Tan Liquid: Makeup Bag Must Have

I’ve always been reluctant to use a self-tanner, for fear of turning orange rather than looking like a sun-kissed beauty. I’ve seen too many people fall victim to “the orange spray tan” and I refused to be one of them.

Last week I went to Caravan Stylists Studio and little did I know, I was in for a special treat. I experienced my first spray tan! At first I was excited, but nervous; I had always wanted to try a sunless tanner and now I finally got the chance! It couldn’t have come at a better time, I was going to celebrate the bestie’s birthday, so this was the perfect opportunity to get bronzed!

I was sprayed down with Fake Bake sunless tanner and was pleasantly surprised. Everything worked out in my favor (thank goodness). I achieved my goal, I now had the infamous JLo Glow and it lasted a whole week!

I highly recommend Fake Bake’s sunless tanner to get you through the winter blues while looking like a bronzed beauty!

Fake Bake Sunless Tanner

Fake Bake Flawless Self-Tan Liquid $26.50


Interview with Kim Osorio: Status of Women in Hip Hop and Details on Upcoming Projects

Kim Osorio is known being the first female Editor-in-Chief of the “hip hop bible,” the Source. In a time when females weren’t in a position of power in the hip hop, Osorio made tremendous strides in the industry for women. She has and continues to play an influential role for females in the world of hip hop.

In addition to music, the veteran hip hop journalist has written and produced content for media giants like VH1, BET and more.

I was lucky enough have the chance to sit and talk with Kim Osorio to discuss the status of females in hip hop, while being one of the first to get some details about her upcoming projects.

You’ve been in the business a long time; how has the status of women in hip hop changed since you first started in the industry?

Kim Osorio: It’s hard to say whether or not the status of women has changed in this particular industry. As women we are still fighting for things like equal pay and treatment. Sometimes I have to re-examine the way I do things, because I think “Am I being treated a certain way in this business situation because I’m a woman?” I don’t know if that comes from my own hang-ups or if it’s really the truth. When I speak to a lot of women, they feel the same way. I still feel that there’s this uphill battle as women to be respected in the industry.

It’s different; I do feel like the objectification of women, even in entertainment and pop culture hurt us on the business end. A lot of women who have gone that route [objectification] became very successful with it. We’re in the day in age of the “Instagram model” and we can scroll through pictures, and be judgmental in the decisions women are making. At the end of the day if they end up super successful with book and movie deals, and more based on posting naked photos on social media, then it says something to us women who don’t do that.

It creates more of a challenge for us to become successful in our own right. For example, as a writer I look at people and how they get a book deal, you have to weigh all of that. There are so many different factors that we struggle with as women in the industry and these challenges make it harder for us.

So I don’t know if I would say that status of women in hip hop has changed, but I can’t say it’s always been like that, because I wasn’t in the position I’m in now 20-30 years ago. When I came into the industry I definitely dealt with things that I felt challenged me and until this day I’m still dealing with that. I can only hope that it is going to change.

At one time females dominated the hip hop charts. After Salt n Peppa, MC Lyte and Queen Latifah paved the way; hip hop artists like Lil Kim, Foxy Brown, Da Brat, Eve and Missy Elliot held it down for women in hip hop. Do you think we will ever get to that point again?

Kim Osorio: I think we will get to that point. It’s going to take more talent from women in hip hop and women who are in the position of power or who want to be in the position of power to help us get back to that point.

There’s a lot of reasons why things have changed. When you look at the business and the money it takes to move females around, it takes a lot more money to develop and put out a female artist than it does a male artist, particularly in hip hop.

You can’t put a female artist out that isn’t fashionable, hair and makeup ready; it’s so costly. You can take a guy off the street with the way he looks at that moment and turn him into a hip hop superstar with that same appearance. You can’t do that with women, so I think that expectation has hurt female artists.

No one wants to invest anymore, the money that was circulating during the hip hop renaissance period isn’t there anymore. At one time there was all of this money coming in and the commercial era was ushered into the industry. There was a lot of money being spent on different things, so it was OK to sign off on budgets for female artists. Now everyone is tight with their budgets and you really have to do it yourself, so no one wants to put a female artist on. I think that is one of the reasons why we don’t see more female rappers in hip hop.

Another reason why is because I think that we are limited in the perspectives that become popular. The popular perspective is this “I look good” female. We don’t have male artists in hip hop who dominate the industry talking about anything other than that one female image. If the most popular male hip hop artist was constantly putting a smart, overweight woman with glasses on and a not-so-fly look in their videos, maybe we would think that is the popular woman and gravitate towards that image. Every time we hear about women in a song it’s always about “This is what we want.” It’s almost as if this certain female perception is programmed into us. It’s a now a norm in our community.

Do you think a female rapper can still succeed without resorting to sex appeal?

Kim Osorio: Yeah, I think she has to be REALLY good. She has to give these dudes a run for their money on a lyrical and songwriting level. Nicki Minaj is one of the best, she’s neck and neck with a lot of the guys and is better than most male rappers that are out now when you look at her talent.

For us to leave that sex appeal behind, that’s going to be hard, she has to be extremely talented. I don’t know if she’s out there, I hope she is. I’ve seen some really good, promising artists, but it has to be the whole package. If it’s not going to be sex appeal, it has to be another image that works for us and that is accepted by our community. It has to be marketed and promoted, there’s a lot that goes into it.

Read the full interview by Bianca Torres on The Hip Hop Times

Follow Kim Osorio on Twitter

Beyonce Debuts Video for ‘Flawless’ Remix Featuring Nicki Minaj [Video]

As if the “On The Run” tour and HBO special wasn’t enough; over the weekend, Beyonce released the video for the “Flawless” remix featuring none-other than Nicki Minaj.

VEVO premiered official video, which took place during the power couple’s “On The Run” show in Paris. The footage showcased the “Partition” singer and “Anaconda” rapper in matching Versus Versace outfits, while performing for 80,000 fans.

The Status of Women in Hip Hop in 2014: Nicki Minaj and Lil’ Kim Battle on ‘Flawless’ Remix, Remy Ma’s Release From Jail

The last week has been an exciting time for the women in the music and hip hop industry. Beyonce has been in the media for her marital problems for 3 months. Between her “Flawless” remix hitting the airwaves and Remy … Continue reading

Music Video Review: ‘They Don’t Love You No More’, Who’s Missing?

As much as I love DJ Khaled’s “They Don’t Love You No More,” I must admit I am a little disappointed that everyone but Jay Z is in the video.

French Montana, Meek Mill, DJ Khaled and Rick Ross were featured, but Jay Z was a no show. Other than that, I really enjoyed the video, although seeing the “Holy Grail” rapper would’ve taken it to the next level.

Is Jay Z the Michael Jackson of the Hip Hop music industry? Has he reached the point in his career where he doesn’t have to appear in the video of a song he’s on, or is he wrong for just being a voice on the song?